3.24.2010

Studio Report: 3.24.2010

Studio Report: Wednesday, March 24, 2010
12:00 - 3:00 PM
Present: Tif, Truman & Dex

12:00 - 1:30
Work songs
Set up, etc.

1:30 - 2:45
Run
Notes
Work anything else
Discuss

2:45 - 3:00
Strike

Introspection
Song is getting there, wee! Best run ever. Truman finally got to see the show in it's full concoction and is making connections to the songs left and right. He gets it! Yes! He's very proud of the show, as we all are. I nearly cried at the end of the run today it felt so good to have it down. Still needs some more relaxation and polishing, but it was pretty much show ready.

Tonight, pizza party to relax and celebrate.

To Do 3.24.2010:
Finish valance

3.23.2010

Studio Report: 3.23.2010

Studio Report: Tuesday, March 23, 2010
1:00 - 4:00 PM & 8:00 - 11:00 PM tech
Present: Tif, Truman, & Dex (and Rachel for evening tech)

1:00 - 2:30
Work songs

2:30 - 2:45
Tif freaks out a bit

2:45 - 3:45
Run
Notes

3:45 - 4:00
Songs

Introspection
The songs sound fantastic on the harpsichord and Truman and I worked together to get GBIW set to the right type of music. I am still fumbling a bit on the songs and can't really justify singing them out loud very loudly with confidence and I'm still a bit stuck on some choices, etc. Run went well, very well. Truman transposed MSTAID in the office while Dex & I did run. I freaked out (not a freak out, really) in that I'm making a choice and burst out laughing that the choices I made are some pretty out there choices and just before run I realized this and talked myself back into being okay with being exposed. Post run: Truman transposed the song and it's so smooth and I just need to get it down more.

At tech, it was so smooth. Rachel is a master. Dex, Rachel, and I considered some lighting looks and Dex stepped in for me at times so I could see what the look of the show was like - very nice, clean, still shadowy but lighted enough to see so nobody should complain (haha). Quick tech, didn't even do a run through as I was fine with our choices and would rather use time in space (after Rachel went home) to run MSTAID a bunch of times until the end of the night where I couldn't take it anymore with singing. A fun, relaxed evening.

To Do 3.23.2010:
Make valance
SONGS!

3.22.2010

Studio Report: 3.22.10

Studio Report: Monday, March 22, 2010
5:00 - 8:30 PM @ TTS
Present: Tif, Truman, and Dex

5:00 - 8:30
Work songs
Learn songs

Introspection
I've got a lot cut out for me in regards to these songs. Truman did a spectacular job, but sadly I'm not a warbly soprano and he had to transpose the final song into my range. Still beautiful, but that means 2 hours of work for poor Truman. We worked on piano so tomorrow will be our first time with Harpsichord with the songs.

To Do 3.21.10:
Work on songs

3.21.2010

Studio Report: 3.21.10

Studio Report: Sunday, March 21, 2010
6:30 - 8:30 PM @ TTS
Present: Tif (Dex 7:30 - 8:30)

6:30 - 7:30
Solving
Text work
Firming up any questions
Adding details

7:30 - 8:30
Run
Notes

Introspection
The show is now coming together in a way that is more concentrated. I had a minor memory blub in Clock Dance, but there are still parts that are solid for me and other parts that don't feel totally authentic yet. I guess I need props now and without these here, miming things make it seems fake anyway so I don't blame myself. Can't wait to hear the songs tomorrow on piano! Truman comes into Chicago tomorrow! He drove all the way from Pennsylvania to do this with me and I'm so grateful!

To D0 3.21.2010:
Rest up.

3.20.2010

White Ghost is Home

White Ghost the harpsichord is home! Living in our living room. No complaints and resting in its own wirelike wooden fashion. What fun it will to bring him to Links Hall and hear Truman play it. I cannot wait! It's going to be outrageous. White ghost is so simply beautiful. What a treasure. What a treat.

And can I just say he comes from a good home. Andy Cohen from Andy's Music Rentals is about the ultimate friendliest, customer-service driven, knowledgeable, agreeable, amazing person. If you're ever planning on ever renting any sort of instrument, I highly recommend this place. Very thorough. Very reasonable in price. Very fantastic instrument quality. I am fortunate to have him intersect with my process during this residency. I've rented from Andy's before during my show, echo chamber, but running into him personally has been a great experience.

3.19.2010

Studio Report: 3.19.2010

Studio Report: Friday, March 19, 2010
6:00 – 7:15 PM @ TTS
Present: Tif & Dex

6:00 – 7:15
Warm-up
Run show
Notes
Discuss Edits
Discuss To Do

Introspection
During tonight's rehearsal I was starving. Low blood sugar, but an all around good run. These runs I've been doing are not full out in the way I would for a show because I'm just like that as an actor. I find it silly to expend tons of energy for just Dex in the room. However, this will change on Sunday and throughout. It's not that I'm marking, but I'm not fully engaged in all areas of the show, I'll let my body take over and sometimes things will be quite intense. Regardless, this run was focused and Clock Dance (as mentioned by Dex) was the best he's seen it thus far so improvements are being made. Vignette run times have been quite consistent and we predict the show to be about 40 minutes long. However, these timings might change mere minutes when Truman steps in on harpsichord. Looking forward...

To Do 3.19.2010:
Pick up harpsichord on Saturday
Sew drapes & Grommet
Run to do list at Home Depot, Target, and JoAnn Fabrics

3.17.2010

Studio Report: 3.17.2010

Studio Report: Wednesday, March 17, 2010
1:30 PM – 5:00 PM
Present: Tif & Dex (2:15 - 5:00)

1:30 - 2:15
Tif only: Run & Work text

2:15 – 3:30
Run with Stop & Starts

3:30 - 3:45
Notes, Ideas, Edits, Get into Costume

3:45 - 4:30
Run no stops
Decide on Mourning Walk

4:30 – 5:00
Notes, Ideas, Edits, Get out of Costume, Cleanup

Introspection
Good but un-concentrated first run. Good pretty focused second run. I still need to get Clock Dance into muscle memory as Minute wheel forwards & backwards continues to confuse me a bit. Also, since we just worked on the blocking of Mourning Walk, will have to get this new choreography (small, but new) into my body. I still need to focus on the text of 3am as well. Overall, am in a good place. Keeping regular time with all sequences. Things are well and good. Love my costume!

Also, tonight I wrote My Soul's Thralldom so the entire show is written. Truman will be writing the entire song (minus the words) for this piece. Very excited to see what he comes up with next week!

To Do 3.17.2010:
Tomorrow, work on sewing facings & drapes


Trying to be as ugly as possible.

Here's a sneak peak at me messing around during rehearsal in my costume. [AKA me wasting time because I don't want to do a run.]

Here's me doing a buck-toothed corseted flamingo. Please note I am purposely trying to get facially uglier as the shoot progresses. The uglier I become, the more time wasted so I don't have to muster up the energy for another run.

And, here's me doing my best impression of a one-eyed, rabbit-toothed ghost medium.

3.16.2010

Studio Report: 3.16.2010

Studio Report: March 16, 2010
1:30 PM – 4:30 PM
Present: Tif

1:30 - 2:15
Drill all text material with no action or blocking.
2:15 - 3:00
Work chunks of show
Over and over again.
Work on lacing boots

3:00 - 4:30
Work larger chunks of show
Over and over again.

Introspection
I think the only text that is holding me back a tiny bit is 3am. It requires a lot of concentration, changes in partner, and changes in state for me as a performer. I have laced my boots over 20 times in rehearsal today and solidified this action during Girl Burned in Water. I drilled the text today like a mad woman. Freaky thing happened: Links always has phantom creeks and since it's changing temperature outside, it will make more of these phantom creeks over the next few weeks (very in my favor). However, I just wrote a blog post on Nobody Dances Here about the Ganzfeld and my fear that maybe, in the performance moment, will conjure some sort of spirit energy. One would only hope, right?! Anyway, I got to the point in the text where it started to feel real, and the creeks in the room began to get my nerves going. They were coming from the place where in the text I speak about them coming from, it was like a soundtrack was created - I got freaked and started laughing at myself. I called my mom to joke with her about it. She was freaked out. It was funny.

Overall, great drills today. Great.

To Do 3.16.2010:
Drapes

3.15.2010

Studio Report: 3.15.2010 & Feedback Session Introspection

Studio Report: Monday, March 15, 2010
12:30 PM - 3:30 PM
Present: Tif & Dex

12:30 - 2:00
Measure Drapes
Mark Measurements of Drapes on Fabric
Cut Fabric for Drapes

2:00 - 3:30
Work & Run CW - CD

Introspection
Measuring & cutting drapes too far longer than we expected (about 30 minutes more), but Dex and I were both very low energy from the time change, staying up too late finishing up some things, and last night's intense rehearsal. However, I think our carefulness while doing the measuring will pay off and we won't have to re-do anything in regards to the drapes.

Worked Continuous Winter to Clock Dance and drilled & blocked 3am.

Talked to Erica after rehearsal regarding the talk-back/feedback session and lost my battle of going on Sunday. It was originally scheduled for Saturday, but was cancelled due to Links believing there will be a turnout problem due to another event happening on the same day. I feel that our event is equally compelling and should get the people there on Saturday that choose to be with us on Saturday; I find their feedback as valuable as any - and if not more fo choosing us over the other event, perhaps! Turns out Ginger's team prefers Friday, I prefer Sunday. They are many. I am one. I gave in. I was kindly offered to receive no feedback on Friday and have a special session on Sunday, but I find that silly - (generous), but silly. It would be awkward for me to say, "I don't want you to comment on my work." It just feels wrong, and distasteful. There are several reasons why I think Friday's feedback will be ineffective. 1.) I will have just had a very, long intense week and want to celebrate getting the show opened. I'd like to relax and enjoy the party afterwards alongside casual comments from audience members. 2.) It's my birthday. I would have wished to be home by 11pm that evening to have some cake and celebrate privately with all of the family that will be in town for my birthday & my show. This creates a conflict and I foresee me not being able to do this and since it's celebrating my last birthday in my 20's, I find it very momentous. Birthdays are very important to me. 3.) Not having more than 1 show under my belt, I won't be able to confidently reflect & respond to the feedback/questions/comments. It would be much more beneficial to have a contrast/comparison between the evenings to see if my observation is true. No real observations about the show as a whole can be made after just one performance. It will grow on Saturday & Sunday. 4.) If someone takes the conversation south for Ginger, Me (or Both of us), I guarantee it will make the refreshment/party sense of it awkward. 5.) People may not stay for the refreshments because they may not be interested in staying that much longer to wait for the feedback session (should they wish not to participate). 6.) If I get the same comment on an aspect of the show, it will be more difficult for me to concentrate when getting to that part in the show later in the run because I'll be self-conscious of it due to the concentrated feedback. 7.) Having a feedback session on Sunday would allow me to reflect on the entirety of the show. Since, in this setting, we are expected to evaluate our progress & process, Friday's feedback session will be far from my mind once the show is over on Sunday.

I'm never big on post-show discussions after a performance I consider complete because there isn't much I can/will/want to change at this point. I figure, I've been in studio for 6 months, whatever decisions I've made at this point I'm pretty confident about, I'm pretty happy with, and have had ample time to consider. You can't please everyone, and sometimes I think this reflection needs to be done at home, at the breakfast table over a bowl of oatmeal. I believe I as a performer can feel if the audience is with me, and when they're not, I go home and think about this. And it's not always me - sometimes it's just the room, the energy, the day - and it collectively builds to something the performer can't control. With this show I am asking a lot of audience - their concentration & extended belief. If they're willing to ride with me, I'll be able to feel it. I don't need someone to tell me this or confirm this after the show. It's like coming out of a trance while on the dancefloor. You don't want a video of you dancing like crazy to remember it or to prove if you were really dancing, you just want to take away what you felt and leave it there.

To Do 3.15.2010:
Chemise!

While I've got at least 7 valuable reasons as to why I don't prefer Friday, but I'll go along and will have to come in with a bit of a filter.